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Bar mitzvah leining with a changing voice a guide for parents

By Nirel Argov · · For bar mitzvah parents · 4 min read

It's three weeks before the bar mitzvah.
Your son is at the dining room table with his Chumash, practicing the leining with his tutor's recording.

In the middle of a pasuk, his voice jumps up and cracks.
He stops. Starts again. It cracks again.

He closes the Chumash.
"I can't do this. My voice is ruined."

Nothing is ruined

Around bar mitzvah age, many boys start the voice change. It's one of the most normal things in the world, and it often lands exactly on the months of preparation.

His voice isn't broken. It's growing.

During these years the larynx grows, and the vocal cords get longer and thicker. The instrument is changing faster than the brain can learn to play it. The cracks are the voice flipping between the old setting and the new one.

The boy who grew over the summer

You've seen it at the start of a new school year.
A boy grows a few inches over the summer, and for the first weeks he trips over his own feet.

Nothing is wrong with his legs. They're just new, and his body hasn't learned them yet.
And nobody fixes it by telling him to run harder. He gets used to the new legs by walking, calmly, until the coordination catches up.

His voice is in the same place.
Pushing it to the old high notes, louder and louder, only makes the tripping worse. Working gently in the range that is comfortable now lets the coordination catch up.

Three things that make it harder

Leining in the old key

The tune of the trop has no fixed starting note. If the tutor's recording sits too high for him now, he can lein in a lower, comfortable key. Ask the tutor to help him find it.

Hour-long practice sessions at full volume

A tired, changing voice cracks more. Short sessions, 15 or 20 minutes at a time, a few times a day, do more than one long session of shouting.

Running out of air in the middle of the pasuk

When he gets to the end of a long pasuk on the last of his air, the voice squeezes and breaks. Help him plan his breaths at the natural stops of the trop, like the etnachta and the sof pasuk.

How to help at home

  • Have him practice at a speaking volume most of the time, and save full voice for a few run-throughs.
  • Teach him one low breath before each pasuk: hand on the belly, belly moves out, shoulders stay still.
  • Keep water nearby and remind him to sip.
  • In the last week, ask him to go easy on yelling at recess, at ball games and in the car.
  • On the morning of the bar mitzvah, five minutes of gentle humming before shul wakes the voice up without tiring it.
  • And tell him the truth: if his voice cracks once in shul, nobody minds. Everyone there has heard plenty of bar mitzvah boys, and what they'll remember is a boy who kept going.

When to see a doctor

A changing voice cracks and wobbles, but it shouldn't hurt. If he is hoarse for more than two weeks, has pain when he speaks, or loses his voice, take him to an ENT (ear, nose and throat) doctor.

The basics that last a lifetime

What helps him now, breathing low, supporting the voice and not pushing from the throat, is the same thing I teach adults at Kolot: chazzanim, teachers, singers and speakers. It's the foundation of my online course, Rediscover Your Voice.

If you want to start with the basics yourself, my free mini course explains what really strains the voice and which everyday habits protect it.

Get the free courseFree. It takes less than a minute.

Questions people ask

Can my son lein for his bar mitzvah while his voice is changing?

Yes. Many boys do. A comfortable key, short practice sessions and good breathing make a big difference.

Should he lein in a lower key?

If the original key now feels high or strained for him, yes. There is no fixed starting note for the trop, and a key that suits his voice today will sound better and feel safer.

How long does the voice change last?

It's different for every boy. For some it settles within months, for others it takes longer. Through all of it, the rule is the same: work gently in the comfortable range and don't force the old notes.

Nirel Argov
About the authorNirel ArgovSinger, voice development expert and founder of KolotNirel has performed on stages and at events across Israel for more than 10 years, and has worked with hundreds of students, from teachers and rabbis to speakers and singers, on using their voice without strain.

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